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The 2024 Academy Awards ceremony is just around the box ; chances are , you ’ve seen at least some of the nominees for Best Picture . BarbieandOppenheimer , the two movies that defined 2023 , have been seen by everyone at this point , but what aboutKillers of the Flower Moon?The Holdovers ? MaybePast live ? How pop are these pic , and does it help or wound their chance of winning the big trophy ?
In determining the popularity of this year ’s craw of Best Picture nominees , I face past societal media mentions , YouTubeviews , and critic scotch and used the one metric that weigh to the entertainment industry : money . Using their total global grosses as of February 27 , I rank each Best Picture nominee from least to most popular . Unlike anM. Night Shyamalan movie , you will not be surprised at the ending .
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10. Maestro ($820,000)
A brief coup d’oeil atMaestro‘s box function will order you the wrong story at first . While any movie gross less than a million dollars would be considered a nonstarter , Maestrois aNetflixfilm , which think it was give a modified release for a couple of weeks before debuting solely on its cyclosis platform .
The Bradley Cooper movie only appear once onNetflix ’s top 10 most pop movieslist before disappear completely , so maybe it is a letdown after all .
9. The Zone of Interest ($16.2 million)
It ’s no surprisal thatThe Zone of Interestis gloomy on this list . An esoteric , almost punishing look at a Nazi kinsfolk populate next to the Auschwitz end camp and caring more about getting a packaging and snagging the right fur coat than the jillion of Judaic people being consistently slaughtered right next door , the Jonathan Glazer picture show is n’t for everyone .
Yet it ’s slowly finding its audience now that it ’s on VOD and deserves all the attention it ’s been getting . It ’s an crucial movie for anyone who wants to understand how the Holocaust came to be and how it can happen again .
8. American Fiction ($20.8 million)
One of two comedies nominate , American Fiction‘s scathing satire about race and the publication industry has been an art - house hit since it premiere at theToronto Film Festivallast gloam . It ’s bind to come up an even wider audience on cyclosis , where its sometimes uncomfortable punchlines will play better to a more mainstream audience who does n’t have memory access to indie cinemas .
7. Past Lives ($26.6 million)
The indie hit of last summer , Past Lives ‘ bittersweet fib of childhood lovelost , plant , and ( perchance ) mislay again , has been gain over audiences well into 2024 . It ’s not a surprise , as the pic is romantic without being saccharine and melancholy without being depressing . Credit lead star Greta Lee , whose aglow performance still lingers in the remembering .
6. Anatomy of a Fall ($29.6 million)
Every yr has an unexpected foreign linguistic communication hit , and 2023 ’s wasAnatomy of a Fall . A Gallic thriller that focuses on the tribulation of a woman accused of murdering her husband , Fallfilled the demand for moviegoers long for a practiced mystery .
Also , it incorporate one of the best performances ever given by a bounder in movement pictures . That ’s boxwood office gold in any nomenclature .
5. The Holdovers ($40.7 million)
IfThe Holdovershas been released five years ago , it would ’ve probably grossed double what it did in 2023 . Alas , we live in a streaming age , so while it made a sizable $ 40 million , it could ’ve gross far more had it not debut on VOD less than a month ( ! ) after it occur out in moving-picture show theatre .
It does n’t count in the retentive streak , asThe Holdoversis already on track to becoming the next great Christmas classicthat ’s determine again and again over the holidays . ultimately , you may find out something besidesDie HardandLove Actually .
4. Poor Things ($105 million)
An titillating , brainy take onBride of Frankenstein , Poor Thingsshouldn’t have play . It was consider by some ( not this author ) as too unearthly , too sexual , and too feminist for mainstream audiences .
Yet slowly but sure as shooting , the Yorgos Lanthimos film line up its devotees and has made over $ 100 million ( and reckoning ) against a thrifty $ 35 million budget .
3. Killers of the Flower Moon ($156.8 million)
The only candidate that ’s surely lose money , Killers of the Flower Moon , is both a failure and a succeeder . At over 206 minutes , the picture is one of the longest ever give up and deal with a difficult and important discipline thing : the pillaging and mass execution of the Osage Nation by esurient white settlers and politicians .
That it made as much money as it did is a succeeder news report by itself , yet the movie be a whopping $ 200 million ( some say more ) . The bright side ? It was funded by Apple , which does n’t really wish about grow a profit at the box federal agency as long as they have attention - grabbing films and TV shows to live its neophyte cyclosis service , Apple TV+ . Well , for now , at least .
2. Oppenheimer ($960.7 million)
It ’s been nearly nine months since Oppenheimer was released in theatre at the end of July , and it ’s still unbelievable to me that a three - hr movie about nuclear purgative , shot mostly in black and white-hot , made almost a billion dollar . That it did that well is due to a confluence of factors : theBarbenheimer social phenomenon ; audiences ’ die hard trust indirector Christopher Nolan , who wow them with past hits likeThe Dark Night , Inception , andInterstellar ; and the growing weariness of biscuit - cutter franchise films likeTransformers , The Fast and the Furious , and almost any MCU movie today .
Oppenheimeris the favorite to advance Best Picture this twelvemonth , but its greatest achievement might be in shifting the industry aside from churning out dateless IP tentpoles that have siphoned Hollywood ’s creative community for the last 20 years and back to a golden age of intellectually shake cinema .
1. Barbie ($1.446 billion)
What more can be written aboutBarbie ? It wasTHEmovie of 2023 , whether you liked it or not . You could n’t escape its pink - colored shadower ; not at moving picture dramaturgy , certainly , but also not onSpotifythanks to Billie Eilish ’s hit songWhat Was I Made For ? ; and definitely not on the Internet , which obsessed over every little line , costume , and Ken variant .
It ’s not work to win any major awards on Oscar night , but it won pop culture itself for a little while , and is n’t that a prize worth having ?
