Jacob Roach / Digital Trends
Adobe Premiere Prois the go - to video editor for many , and it ’s no wonder . It ’s an super brawny utility with a monumental community of user and developers that works both on Windows and Mac . Not only do you get an all-encompassing list of features and shaft within the app itself but also the championship of hundreds of third - party plugins and tutorial . There ’s just one problem : It ’s expensive .
You ’ll pass $ 23 per month just for Premiere Pro . If you require any other Adobe App — be it Adobe Media Encoder , Photoshop , or After Effects — you ’ll spend $ 60 month , and that ’s if you institutionalize to subscribing for a year . Adobe ’s Creative Cloud suite , including Premiere Pro , is powerful , but there are some choice that let you get your fundament in the door for much less . Here are four Premiere Pro alternatives you should consider .
Jacob Roach / Digital Trends
DaVinci Resolve
If you do n’t want to use Premiere Pro , the best option isDaVinci Resolveby far . Some would argue it ’s just a better choice full - halt . It ’s cheaper , pack more features , and it ’s supported by a extensive hardware ecosystem . You do n’t have to take my word for it , either . You ’ll rarely find a major movie that has n’t been stir by DaVinci Resolve in some room , fromBullet TrainandThor : Love and ThundertoEverything Everywhere All at Once .
In a professional scope , DaVinci Resolve is mostly tapped for color correction because of its extensive toolset , but that should n’t overshadow its other capabilities . It includes a full outfit of editing tool , from proxy editing to keyframes , as well as a retinue of motion graphic and 3D effects tools through Fusion . coalition is in particular noteworthy if you want to composite and make visual burden , give you access code to lymph node - free-base redaction , camera tracking , and more .
fuse with the Fairlight audio recording utility , DaVinci Resolve fundamentally bundles Adobe Premiere Pro , After consequence , and Audition under a single roof . That ’s not the unspoilt part about it , though : DaVinci Resolve is destitute . It ’s not a devoid trial run or a version that ’s circumscribe in just about every means imaginable . For most user , you’re able to download and utilise DaVinci Resolve for gratuitous without find up against its limitations .
There is a paid version called DaVinci Resolve Studio that ’s uncommitted for $ 295 — a undivided accusation , not a recurring subscription like Premiere Pro . It expands the capabilities with HDR color marking , support for 32 jet resolutions at up to 120 frames per 2nd ( fps ) , elaborate data formatting support , and more utilities for Fairlight and Fusion . Even with the barren interpretation , however , you have access to the dinero - and - butter tools of Resolve , as well support for 4 K footage at up to 60 Federal Protective Service .
Clipchamp/iMovie
If you just require to make a few basic edits , you do n’t ask to spend any money or download any additional software — both Windows and macOS have a video editor in chief built in . iMovie has been around for age , and it really has n’t see a long ton of updates . You get a choice of title cards , themes , and transition , as well as two video tracks to play with . There ’s also some canonical coloring material adjustment , but nothing beyond what you ’d get in the camera app on your phone .
The strongest point in iMovie ’s favour is that it supports green screen . You do n’t have much ( or really any ) control over the green screen effect , but you may apply it to your clips and overlie a desktop . If you ’re just splicing together a simple video with a green projection screen , you do n’t take much more than iMovie . Plus , it connects to GarageBand , so you could seamlessly pass audio tracks back and away .
Windows Movie Maker is dead and give-up the ghost , but after old age without a picture editor program on Windows , Microsoft finally let go Clipchamp . It ’s part of Windows 11 , and like iMovie , it ’s a dead - simple telecasting editor in chief . You have a selection of effect , transition , and title along with two telecasting tracks — elements like textbook do n’t take up a slot . You also have access to a green concealment result , though once again , you are n’t given control over the parameters .
Clipchamp really stand out with its AI features . There ’s an automatic AI editor in chief that can bring together a clump of clips quickly with a choose theme . Plus , you’re able to take this generated edit and send it to the timeline in Clipchamp if you need to fine-tune further . More impressive , Clipchamp include robotlike school text - to - speech with over 400 different vocalism profiles , as well as machinelike legend that you may delete for totally accuracy .
Clipchamp and iMovie are n’t true replacements for the massive telephone number of options you ’re given in Premiere . But if you just involve a wide-eyed edit , or you ’re looking to dunk your toe in the water , it ’s in force to try out with one of these tools before dive into one of the more advanced options on this list .
Final Cut Pro
Premiere Pro is available on Mac , but Apple ’s ownFinal Cut Prois a lot cheaper . It ’s not cheap ab initio , but pass $ 300 up front sustain you the powerful video editor evermore without worrying about a continued subscription . On top of that , Apple offers a 90 - day free tribulation so you could download the app and see how you like it before pitchfork over your cash .
Like Premiere Pro , you have the common suspect for capabilities . You get motion trailing , a suite of sound and video plugins along with plenty of third - company options , and dense color correction utility . There are even some Apple - specific characteristic , such as send an edit from iMovie on an iPhone oriPad to Final Cut Pro , as well as importing footage from iPhone 13 or later on with adjustable centering points . You also get up to 8 K exportation , along with the ability to expend procurator while editing .
last Cut Pro is a powerhouse telecasting editor , but you postulate to spend a small more if you have more extreme demand . Apple offer its Motion and Compressor minimal brain damage - ons for $ 50 a piece . Compressor is consanguineal to Adobe Media Encoder , pay you much more ascendancy over your export after you ’ve finished your edits . It also comes with some extra feature film , such as change over footage fool away in a common log format . Motion conk out deeper on the compositing capabilities of Final Cut Pro , countenance you to create 3D effects , apply 3D rendering effects like ignition and vestige , and accession plugins built specifically for Motion .
There ’s one controversial prospect of Final Cut Pro , however , specially if you ’re come from another telecasting editor in chief : the magnetic timeline . The app will automatically adapt your clips when you make an edit to lead no spread in the telecasting .
If you stack clips on top of each other , they ’ll also link together , so when you embroil one , you bring both along . The charismatic timeline can be very useful , and there are still way to disable its automatic adjustments if the need arises . It can be an adjustment if you ’re coming from a more traditional editor , however .
Avid Media Composer
If you have inspiration to move into the professional video editing earth , you ’ll want to get a head start onMedia Composer . Avid make Media Composer , and just like its Pro Tools audio editor program , Media Composer is the criterion for the professional video recording redaction creation . Avid ’s manage spiritualist environment is what really makes Media Composer tick . It earmark much faster public presentation on the timeline compared to Premiere , and it makes it comfortable to transfer data file between different editor in chief .
For actual redaction , Media Composer does n’t have a stack of exacting advantages over Premiere Pro . It ’s much more focused on handle with monumental task . You have the power to edit out several clips in bulk , and the Ultimate version of Media Composer includes Phrase Find and ScriptSync . The former allows you to search your magazine for a specific phrase , save you hour of dig through large labor . ScriptSync allow you to automatically tie the footage to a written script , make it easy to compare different takes and build a jumpy edit in a matter of minutes .
Unlike Premiere Pro , Media Composer is n’t a jack of all trades . It ’s a master of one . As an industry standard , it ’s antic for dense postproduction line where you ’ll often be dealing with other editors and their own tools .
It does n’t come cheap , though . You ’ll spend $ 260 per year on the stock version and an harebrained $ 540 per year on the Ultimate version . It ’s expensive , though still cheaper than a full Adobe Creative Cloud subscription . If you ’re concerned in Media Composer , I recommend download the destitute First version to see how you care it . First is very modified , but it will allow you try out with the app .
