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Part of the pleasance of the Academy Awards is pointing out all the clock time they got itwrongover the days . Crashwinning Best Picture overBrokeback Mountainin 2006 , Judy Holliday gain over Bette Davis and Gloria Swanson in 1951 … these are the moments that actuate swell debate and endless yack .
But what about the public presentation and pic that were n’t even nominate ? Oscar has shunned some pretty memorable performances over the days , and we ’ve highlighted five particularly egregious examples of snubbing that ca n’t go unnoticed .
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5. Javier Bardem, Skyfall (2012)
TheJames Bond movie franchisehas had its plowshare of memorable villain : Oddjob fromGoldfinger , May Day fromA View to a Kill , and , of course , Blofeld from about a half - 12 007 pictorial matter . But there ’s only one Bond villain who was big not because of a catch like a golden grease-gun or a trivial ocular flourish like a curing of blade teeth : Javier Bardem ’s Raoul Silva , an enemy so scary he made most audiences authentically conceive James Bond could die at the ending ofSkyfall .
The British superspy did n’t , of trend , but Bardem merit credit , and an Oscar nomination , for fetch such depth of complexness and tragedy to a persona who seemed straight out of Shakespeare . Here ’s a villain who is not only menacing , but queerly relatable ; you realize why hehatesBond so much , and you ca n’t really pick him for wanting retaliation . Bardem was recognized by SAG with a nominating speech for Best Supporting Actor , but he should ’ve been the first actor from a Bond motion-picture show to be honored with an Academy Award nod .
4. Cher, Mask (1985)
Cher ’s batting average as an actress is almost perfect ( permit ’s just forget aboutFaithful , OK ? ) , and she give her best performance in Peter Bogdanovich’sMask , a flick that is more remembered for its groundbreaking physical composition than anything else . That ’s a pity , because as Rusty Dennis , she fully embodies a complicated , mussy character , and makes her sympathetic and unforgettable .
Rusty is many things : a devoted mother to a Logos suffer craniodiaphyseal dysplasia ; a biker doll you do n’t want to mess with ; a girl prone to fits of jealousy and anger ; and an Ishmael who hat society just as much as it hates her . Cher ’s public presentation gain ground her the prestigious Best Actress Award from the Cannes Film Festival , an organization that seldom recognise substandard work , but the Academy opted to dismiss it in favor of a hammy Anne Bancroft performance ( Agnes of God ) and a weepy Jessica Lange in a forgettable musical biopic ( Sweet Dreams ) .
3. Kristen Wiig, Bridesmaids (2011)
Technically , Wiigwasnominated forBridesmaids … in the Best Original Screenplay category . That nomination was deserved , but she should ’ve also been recognized in the Best Actress category for her slap-up work in the raunchy comedy . It ’s passably universally accepted that Wiig is a gifted comedienne , and she ’s never been peculiar than she was in the Paul Feig plastic film . One rewatch of the infamous airplane scene ( “ I ’m relaxed and I ’m quick to paaaaarty ! ” ) or when she ’s trying to hold all of her bodily fluid at a bougie wedding dress store with ivory white rug ( “ I ’m starving ” ) are all the proof you take that Wiig delivers a top - notch comedic performance .
What tends to go unnoticed is Wiig ’s impressive striking skills , and they ’re on full display inBridesmaids . Her Annie is experiencing a midlife crisis ; she ’s broke , she ’s in a dreaded relationship , and her support situation is less than ideal . These position are played for laughs , but Wiig also mines the commiseration , too . Annie ’s spirit is depress and a spot hopeless , and Wiig does n’t make her character simple or easy to wish . It ’s rare for a performance to exploit on both comedic and dramatic level , and for that , Wiig deserved a Best Actress nomination .
2. Michael Stuhlbarg, Call Me By Your Name (2017)
It ’s not like the Academy did n’t likeCall Me By Your Name . The acclaimed Luca Guadagnino movie was make for four Oscars in 2018 , including Best Actor for Timothée Chalamet ( sand dune : Part Two ) and Best Picture . So it ’s even more perplexing when they decided to pass on propose Michael Stuhlbarg for Best Supporting Actor that twelvemonth . Stuhlbarg play Chalamet ’s on - screen father , Mr. Perlman , an learned Classics professor who quietly witnesses his Logos ’s first real romance with a houseguest ( Armie Hammer ) .
Stuhlbarg ’s performance was a classic supporting performance : a quality with not much screen time , but just enough to suggest a whole life story — and also suggestive of something deeper and more intimate . His climactic speech to Chalamet , when he reassures his Word that it ’s not only OK to finger the botheration of heartbreak , but necessary , is one of the all - time great cinematic monologue , and would ’ve made for a hell of an Oscar clip at the observance .
1. Anthony Perkins, Psycho (1960)
The slap-up Oscar snub that ever take place happened to Anthony Perkins , who created one of the movie ’s most enduring characters ever , Norman Bates , inAlfred Hitchcock‘s seminal 1960 horror filmPsycho . It ’s a bit understandable why he was n’t nominated ; nothing like it had ever been done before , at least not in a mainstream Hollywood film . And while the Academy experience well-fixed enough to put forward his co - ace Janet Leigh , it was n’t quite so unforced to acknowledge the unsettlingweirdnessof Perkins ’ killer mama ’s boy . ( If the film had come in out a decade later , the actor would ’ve surely been nominated , and maybe even win . )
That ’s a blame shame , as the functioning stands as one of the beneficial in movie history . That sounds inflated , but if you ’ve seenPsycho , you wo n’t argue otherwise . As Vince Vaughn essay in Gus Van Sant ’s awful 1998 remaking , only Perkins could ’ve made Norman so sweet , so complex , and so interesting to see . Norman ’s not a hero , but he ’s not on the button a villain either ; rather , he ’s just Norman Bates , in a form entirely of his own , and that ’s due to Perkins ’ memorable , one - of - a - kind carrying into action .
